BE LOVE
This beverage brand wanted multiple short cuts for a booth loop at the biggest trade show in their industry.
Deadline: yesterday.
I guided the client in a direction for content that would truly stop a passerby at the show.
I then took footage from events across the brand's history, shaped it into one story, added contextual copy to highlight their core values, and built a seamless loop. Delivered early.
CEO's verdict: "It's perfect."
Highlights:
24 Hour Turnaround
Guided deliverable based on context
Delivered early, no revisions
THE BETSY HOTEL
A South Beach hotel with a community heart and a spot on Travel + Leisure's list of the world's best needed content that made people want to book a stay.
I shot photo, video, and aerial footage that captured what makes The Betsy feel unlike anywhere else on the block, then cut it into assets for their website and socials. Those assets were later expanded into a larger web series.
Highlights:
Photo, video, and aerial content for web and social
FAA Part 107 license utilization
Gimbal work for smooth, cinematic movement
Work extended into a web series
FOSSIL
Fossil enlisted Mandy Moore, KJ Apa, and Izzy Bizu to launch their latest watch to a new audience. I joined the production as both camera operator and digital tech.
On camera, I covered everything beyond the main jib shot: "dirty" angles for a behind the scenes feel, and rack focuses from across the set for extra vibe.
Between takes, I switched hats and backed up every frame.
Highlights:
Dual role: Camera Operator and DIT
Creative positioning on set
Worked within a large scale production and bigger crew
TEREZ
Terez, a fun and youthful athleisure brand, hired me to shoot photo and video for their Spring campaign.
Working closely with their team, I led production from start to finish: choosing the studio, hiring the crew, sourcing equipment, and capturing the content.
Highlights:
Led production on a full brand campaign
Studio selection, crew hiring, and equipment procurement
Phot, video, and editing in one package
NYX
Movers + Shakers brought me in for NYX's latest brow campaign, built for TikTok.
It needed to thrive on the platform, but still look and feel like NYX, so I paired a vibrant palette with quick cuts and a fun track.
Highlights:
Editing diversity
Creative contextual decision making
Maintained brands identity
HARPERS BAZAAR
Photo shoots now always come with serious video demands.
I worked alongside photographer Russell James on a Harper's Bazaar shoot with Miranda Kerr, documenting the behind the scenes experience while switching between the main camera and behind-the-scenes on command.
Highlights:
Worked with top-tier crew and talent
Fast switching between main camera and BTS
Video support inside a photo-led production
CLINIQUE
Clinique wanted a fresh way to connect with a new audience.
Through Case Agency, I joined a six episode series starring Meghan Trainor doing makeup with her best friend, alongside best friend pairs from across the country.
I captured audio on set, acted as digital tech, then moved into the edit.
Because I recorded the sound, I knew exactly where the best moments lived.
The challenge was pacing: quick enough to hold attention, with enough breathing room for each tutorial to actually teach something.
Highlights:
Production sound, DIT, and editor on the same project
Edited all 6 episodes for pace and tutorial clarity
Trusted by major beauty brand
WILD SPIRIT
When Russell James re-branded his fragrance, I was on location for the shoot, capturing video and audio for multiple talent interviews.
After the shoot, I teamed up with Case Agency to edit all of the launch content, including custom cuts built for Walmart.
Highlights:
On location video and audio for talent interviews
Edited the full launch content package with Case Agency
Platform specific cuts for Walmart
FLORENCE
BY MILLS
Case Agency needed an energetic cut to capture the youthful spirit of Millie Bobby Brown and the launch of her new skincare line.
My edits start with the song. Picking the right track is instinct for me, built on a background in music production, and it sets the rhythm for everything that follows.
Highlights:
Edited for Case Agency
Music driven edit built on a music production background
Energetic cut for a celebrity founded skincare launch
VOGUE
Vogue wanted an exciting video to drive attention and engagement for their latest cover shoot.
I used creative compositing on the model to give the piece its rhythm, so it felt like the video itself was dancing to the music.
Highlights:
Creative compositing built around the beat
Edited to drive web engagement for a cover shoot
Music driven motion
TIMEX
Timex teamed up with Olivia Culpo to launch a new crystal themed collection.
As a regular collaborator of photographer Russell James, I joined the shoot as second camera and digital tech, capturing video angles while he shot stills, then backing up every shot at opportune moments during production.
After the shoot, I stayed on to edit a series of interview segments, cut in multiple formats for social platforms.
Highlights:
Camera operator and DIT on set
Repeat collaborator of Russell James
Edited interview series from shoot to social delivery
E.L.F
e.l.f.'s newest product was a massive hit, and they wanted the word out.
I dug through the internet for the most impactful reviews, picked the juiciest sound bites, and built the piece around them.
I'm not the target audience, and I still finished the edit wanting to know where to buy it. That's the test.
Highlights:
Sourced and curated customer reviews
Sound bite driven storytelling
Story hook proficiency
TARIK EDIZ
Russell James needed an all-in-one videographer and editor for a photo shoot with Tarik Ediz. I handled both.
Weaving in behind the scenes moments gave the video visual variety and room for a slower pace, so viewers could take in the beauty of the dresses.
Highlights:
Videographer and editor on a single project
Behind the scenes footage used to vary the visual rhythm
Slower pacing to showcase the garments
SOLID + STRIPED
On location in the Bahamas, Solid & Striped brought together 13 supermodels and invited each to design their own suit, available for purchase when the campaign launched.
As part of a small two-person video team, I shot on location, secured all content created as digital tech, then edited every asset myself: 85 deliverables in a range of lengths and sizes, each built for a specific social platform, in a two week turnaround.
Highlights:
Edited all 85 deliverables solo
Platform specific lengths and formats
Two week turnaround